What is a Dilbeck?


The Man

Charles Stevens Dilbeck (1907-1990) was the most prodigious and popularly admired residential architect to ever practice in Dallas. 


Between his arrival from Tulsa in 1932 and his retirement in 1969, he was responsible for the design of between 225 and 300 residences in Dallas and other cities, ranging in size and location from the smallest speculative cottages in Oak Cliff to the largest estate homes in Preston Hollow


He was a populist architect, and his egalitarian approach to design resulted in warm and inviting homes infused with the rough-hewn character of a Norman cottage or a West Texas ranch house. His houses were “eclectic” rather than “historicist,” revealing his early self-education in the construction trades. 


Born in Fort Smith, Arkansas, in 1907, Dilbeck grew up in his father’s lumber mill business.  When he was eight, the family moved to Tulsa, where his father constructed churches and apartment buildings.  At the age of 15, Dilbeck took a job with a lumber company, where he modified stock house plans to meet customers’ specific needs.  That experience gave Dilbeck a pragmatic knowledge of building materials and construction techniques, later reflected in the craftsmanship and detailing in many of his homes. After several jobs working for architects, builders and developers, he established an office in Tulsa in 1929. 


Although Dilbeck garnered a devoted clientele of oil barons who gave him multiple commissions for elaborate houses and mansions, the stock market crash killed his architecture business in Tulsa, forcing him to eventually relocate to Dallas in 1932. 


The impact of the 1929 Wall Street crash on the Dallas economy was muted somewhat by the discovery that same year of the East Texas oil field near Kilgore. Oil profits inflated Dallas’ financial coffers, and the resulting personal wealth fueled a lucrative market for residential construction. 


Dilbeck capitalized on the propitious economic climate. He partnered briefly with George Marble, a talented Dallas residential architect. Through Marble, the twenty-five-year-old Dilbeck gained his entrée into Dallas’ custom residential market, He was able to establish a modest reputation and opened his own office in the recently completed Highland Park Village shopping center. 


The 1930s witnessed Charles Dilbeck’s maturing as a domestic architect while he fine-tuned the French farmhouse repertoire that he initially developed in Tulsa.  Four of his early Dallas houses are located at the intersection of Shenandoah Street and Douglas Avenue in University Park, with additional noteworthy examples in the surrounding Preston Place addition. Most of these residences were built by the Meserole Brothers, one of the premier speculative homebuilders in the early days of University Park. 


In 1935 and 1936 Dilbeck designed 15 small speculative houses in the Cochran Heights addition in East Dallas – all on Milam Street – for the developer Sammy Lobello in the French Norman and Ranch styles. Dilbeck recalled these “little split-level houses sold as soon as they were finished.”


Dilbeck claims to have originated the Ranch House in Dallas. His inspiration for these was the indigenous ranch houses found in West Texas and the Oklahoma Panhandle, places he had visited as a boy.  Dilbeck legitimately contributed to the development of this style through the numerous custom and speculative Ranch houses he designed throughout Dallas and North Texas – and in other states. 


In addition to the numerous residences he designed throughout the Park Cities and Preston Hollow, Dilbeck was also responsible for several Ranch-style apartment complexes in University Park and east Dallas, as well as rustic tourist courts in Oak Cliff. Dilbeck also designed large hotels in Fort Worth, Albuquerque and Gallup, New Mexico, in addition to many notable restaurants in Dallas and Fort Worth.  The geographic breadth of his residential commissions extended from Colorado to Tennessee and from the south Texas to Kansas. 


Charles Dilbeck’s oeuvre occupies a unique place in the history of Dallas, Texas, and Oklahoma architecture. It was not strictly revivalist, nor was it modern, a style that Dilbeck dismissed as dull and uninspired—although, later in his career, the architect designed many modernist residences that can be considered as quite compelling. His residential work represented a highly individualistic and eclectic approach to architectural history. He never imitated or reproduced, but intuitively combined diverse sources and experiences to create his own unique interpretation of a French Norman farmhouse or to formulate a distinctive and idiosyncratic residential style that was entirely suitable to Texas.


Dilbeck’s inspired eclecticism produced houses that were exceedingly appropriate to their place and time and to the people that lived in them. 

What Makes a Dilbeck?


It is almost impossible to offer a standard “recipe” for typical Dilbeck houses and other buildings due to the wide range of their architectural styles (primarily French Norman and Ranch, but also Colonial Revival and Moderne) as well as their size (ranging from small, compact cottages to the most elaborate, sprawling estates). However, here are a few clues to search for if you believe you have found a potential house designed by Charles Stevens Dilbeck:


On the Outside

  • Look for houses with complex massing and composition
  • Irregular rooflines and silhouettes
  • Complicated roofs that might have a sagging ridgeline or that might “flair up” at the end, where they meet the gable wall underneath…
  • Elaborate chimneys and round chimney flues…
  • Dormer windows that interrupt the roof cornice…
  • Roofs made of wood shake shingles…
  • Round towers that may be an entry hall or a stairwell…
  • Covered vehicular passageways that separate the house from the garage…
  • Exterior walls made with “drunken brick” masonry, rough fieldstone, “klinker” bricks, or half-timbering…
  • Round masonry columns
  • Porches and entryways with hewn wood columns and support brackets…
  • Dutch entry doors, four-feet-wide…
  • Windows trimmed with masonry that contrasts with the surrounding wall…
  • Bay windows and windows shaded by a shed roof…
  • Real shutters that are sometimes hung crooked...
  • Grilles in exterior masonry walls…
  • Exposed wood rafters under the roof eaves, with rounded ends…
  • Balconies supported underneath by diagonal brackets or limb poles…
  • Exterior screen walls and balcony railings with a strong geometric pattern…
  • Dovecotes (both real and false)—on the roof or built within a masonry wall or exterior wood trim…
  • Low, masonry walls that extend outward from the house (often, a half-circle in plan) to enclose a garden court.

If you are able to get inside the house, look for these features

  • Multiple level changes, with “step-ups” and “step-downs” throughout the rooms on the ground floor…
  • Abundant use of natural materials on the floors, doors, paneling, trim, and ceilings…
  • Exposed wood beams and trusses in the principal rooms…
  • Astounding masonry fireplace hearths in the ranch houses, with large openings, multiple stepped “shelves” or platforms on each side, a fire box to pass through logs from the outside of the house, and hand-wrought iron accoutrements… 
  • Dramatic timber staircases in the entry hall, or curving plaster staircases in the round tower, often with solid wood blocks at each riser...
  • Built-in shelves and cabinetry, with unique wood trim designs…
  • Window seats, especially in the corner of the room…
  • Wood, square-shaped, panel ceilings in the dining room (usually made with stained pecky-wood cypress) …
  • Leaded glass windows
  • Round breakfast rooms, with cozy, built-in seating…
  • Screened-in porches or “lounges” with an exterior fireplace or grill (note: many of these have been enclosed by later owners).

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Dilbeck in Detail

  • Lobello Residence

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  • Meeker Residence

    Photo By: John Doe
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  • Morse Cottage

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  • Dealey Residence

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    NEWS

    In our mission to support the preservation of Charles Dilbeck’s work, we are actively searching for homes that may require saving, are currently listed for sale, or that have been found by enthusiasts. 

    16 Oct, 2023
    BY BEVERLY RAY Growing up in Fort Worth, my friends and I loved to drive around and pick out our favorite houses dreaming of someday owning one like it. Mine was a beautiful limestone home on Simondale Drive on a big lot with a huge oak tree, flagstone walkway and a warm and inviting entry. Lovely diamond-shaped leaded glass windows on one side of the entry added to its charm. There was a big turret that came up the side with a rustic balcony accessed by French doors. The turret and roof were covered in wood shake shingles randomly applied and topped with a copper cone. An outdoor rustic wooden staircase led up to a second floor area that teased the imagination about what would be found at the top. Many, many years later my life moved from Texas to New York and on to California. My new husband and I were looking for a small home in Dallas, and the realtor was urged to show properties similar to that teenage dream house in Fort Worth. That picture in her mind led to finding and falling in love with a house on Lorraine, exactly as we’d described. It turned out to be a 1940’s Charles Dilbeck-designed one-story with the same shake roof, diamond-shaped leaded windows, and built of Texas limestone with heavy wood trim and latticework, screening one side of the porch. The typical Dilbeck round brick pilasters bordered the steps with flat tops for flower pots full of color. Another front entry was topped with a gabeled roof and the heavy wood columns and brackets typical of Dilbeck designs. Both wood entry doors had black iron decorative hinges and metal peek holes to see who was knocking. The big hexagonal chimney was magnificent with a round one attached, smaller and stepped down. There was a small iron door to the side for the firewood, just one more fanciful Dilbeck doodad to charm your sox off. Just imagine, It even has a stylize dovecote in the gable over the garage. Learning finally, that my long-loved teenage dream house was actually the work of noted Architect, Charles Dilbeck was enlightening. Once you learn the unique trademarks of his designs you will realize this architect’s intent was creating a warm and welcoming aura of hospitality to his homes. You’ll be happy to learn that there will soon be a book of Charles Dilbeck’s Homes by Willis Winters, the true fan and expert on CSD’s work, pointing out the many unique markers of this famed architect’s work. It will be a must-have photographic record and inside knowledge of the remaining Dilbeck Designs for all of us rabid fans to pour over while we continue the dream.
    29 Sep, 2023
    BY ERIKA HUDDLESTON This Dilbeck house in the Cochran Heights neighborhood was built in 1936. The original brick chimney appeared intact until the decrepit metal chimney cap was removed and suddenly the top line bricks were seen to be loose and were easily knocked off. The Portland Cement mortar had somehow detached from the brick due to moisture over time. To repair the chimney, the mason mixed a wheelbarrow of lime and cement mortar on-site and added shovels full of sand little by little until the mix color-matched the original. Historic bricks were found in the backyard from an old patio and they matched the “Crown” and “Ferris” stamps which were found on the loose chimney bricks. These extra bricks were unneeded because the loose bricks were just relaid on the chimney yet it was nice to know that the chimney could have been repaired with extra historic bricks! Extra old bricks with specific stamp markings can often be located on eBay, Craig’s List, and at Orr-Reed (in Dallas), for example. Charles Dilbeck used “Crown” and “Ferris” bricks to build this house and chimney— and they were dry pressed very close to Dallas in Ferris, Texas! Today, the little town of Ferris still has a small but charming Main Street and is famous for its bluebonnet trail in the spring. In and around the 1930’s, the Ferris Brick Company in Ferris supplied many of Dallas’ new buildings. In 1904, the Dallas Pressed Brick Company was founded in Mesquite… those bricks are found here and there, stamped with “DALLAS”. After a few hours of work, this 87 year old Dilbeck chimney was good as new for another 87 years!”
    29 Sep, 2023
    BY ELAINE MACINTIRE The picture of 7623 Midbury Dr. —pre 2019 tornado, which removed all of the trees—middle windows were my room and right end windows were Dad’s drawing and Mom’s sewing room— a house of much creativity! The first question someone asks me upon finding out that I am Charles Dilbeck’s daughter, is usually , “What was it like growing up in a Dilbeck ?”. In all honesty, I have to say that I was “the cobbler’s kid who had no shoes!”. Dad’s days were very busy designing and drawing many amazing houses, hotels and restaurants. So, we moved into a simple 3 bedroom, mid-century modern house, on Midbury Drive. At that time it was considered far North Dallas and very much a quiet family neighborhood. The plan was for us to live there for a few years until he would be able to create “our Dilbeck”. But the years flew by and the best laid plans were dormant until Dad approached retirement. Finally, he fulfilled a promise made to my Mom by designing the house of her dreams. As life would have it, they moved in the year I graduated from college. So, though I never grew up in “a Dilbeck”, I enjoyed many years of visits and special occasions in our family home. It was finally my dream come true and it was a time filled with memories I’ll always cherish---- memories that were made richer from living in a beautifully designed house made with love by a beautiful man, my Dad.
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